Observations of Child Development

This paper will talk about a youngster that was seen on various events in their family setting at home. It will investigate the understudy social specialist's comprehension of kid advancement connecting hypothesis and reality.. A basic record dependent on six perceptions meetings of the kid advancement on†¦.. Drawing on what has been seen and understudy information on proper achievements, writing examination and social work theory.The understudy will think about their job as a spectator and what has been realized during the procedure of perception and it's pertinence to social work Different zones of advancement are between related. The thoughts, language, correspondence, emotions, connections and other social components among which every kid is raised impact their improvement significantly. (Carolyn Megabit and Gerald Cumberland) (2000) Child Development : A delineated guide. Henchman.The aptitudes of perception are significant and the significance of manner of speaking and non -verbal communication, especially when the words expressed may be stating something totally extraordinary. In some cases watching shows you things that you can't be advised and some of the time we are tuned to tune in rather than look. A piece of the way toward turning into a social laborer is perception. Perception is the ability to perceive what isn't self-evident. Perception is seeing and hearing, and furthermore observing what's missing, getting on what is excluded, diagnostically preparing while doing the observation.It's significant we comprehend perception is an integral asset in our appraisal and mediation. Watching is a basic aptitude for everybody working with kids. ( Carolyn Megabit and Gerald Cumberland) (2000). Perception enables social laborers and understudies to consider circumstances before interceding (To pat El Richer and Karee Tanner) Using observational techniques are useful in portraying person's conduct as they cooperate progressively; and permit the peruser t o make a verbal image of the practices as they unfold.This is significant when social specialists are working with youngsters and families in their home (Pipelining, 1996:1), and there is a developing acknowledgment in social work writing around perception by and by (Richer and Tanner, 1998:17). On my first perception I was not anxious but rather felt nosy about entering the Morris' home, I had meet them a couple of days prior and they were inviting which facilitated a portion of the nerves I had. I realize that as a certified social specialist on certain events (e. G. Slope security) I will meet the family just because when leading a home visit and they probably won't be welcoming.Taking the job of eyewitness is the thing that I was generally uncertain about, I was uncertain of what's in store on†¦ Cognitive and language improvement Cognitive or scholarly advancement is improvement of the psyche the piece of the cerebrum that that is utilized for perceiving, thinking, knowing and comprehension. Language improvement is advancement of relational abilities : Receptive discourse: what an individual comprehends Expressive discourse the words the people produces Articulation-the individual's genuine ways to express wordsETC can fabricate towers, can duplicate a structure example of at least three 3D squares 3 years ; Remember and rehash tunes and nursery rhymes ; Use individual pronouns and plurals effectively and give their own name and sex and now and then age ; Carry on straightforward discussions, frequently missing connection words, for example, the and is ; Learn to communicate in more than one language on the off chance that they hear more than one language spoken around them as they develop ; Enjoys tuning in to and making music ; Can control their consideration, deciding to stop an action and come back to it absent a lot of trouble ; Counts methodically up to at least ten Enjoys playing on the floor with blocks, boxes, toy prepares and dolls ;Joins in dynamic pretend play ; y with other youngsters A Child Observation Assignment By Marie Tree Date Posted: December 1 fifth This article was put down by Marie Tree in 2010 as an account of her kid perception task for her post-qualifying Specialist Social Work Award course at Portsmouth University. While submitting it article Marie composed commented that while finishing this task she was taken â€Å"back to my initial days in the backtalk's the point at which I had what presently appears the advantage of thinking about my training. † [pick] Marie Tree In adolescence, everything was progressively distinctive †the sun more brilliant, the smell of fields more honed, the thunder stronger, the downpour increasingly bounteous and the grass taller†.Constantine Passports The setting for my perception was a nearby power Children's Center which gives Offset enlisted care to infants and kids between O months and 5 years. The Children's Center has been classed as ‘Outstan ding' by Offset since June 2006 and has been working with youngsters with extra needs since the sass's. The setting was a gathering of 12 offspring of blended genders, all of blended capacities, for example, physical and learning challenges. The gathering was very much staffed (by ladies) with certain youngsters having balanced help. The setting is going by an educator and the Early Years Foundation Stage Curriculum directs the work, and the kids learn through play.The perceptions depended on the Atavistic model (Pick 1964) and my transmit was to watch a youngster for remiss hours and record my perceptions after the meetings. I additionally incorporated my appearance, predicaments and preferences with my workshop gathering. The staff at the Children's Center knew about my job, and the reason for my perceptions. A goodness year old young lady was chosen and I will call her Anna (pen name). I had no contact with Anna's folks, in spite of the fact that the Children's Center educated th em regarding my dispatch and they gave their composed assent. The primary meeting occurred after lunch and I put myself at the rear of the room, carefully tucked into a corner trusting that my essence would not be taken note. How off-base I was!The room was loaded up with a variety of unconstrained disclosures, books, toys, PCs, sand, paint and sprucing up garments and the messiness of commotion and feelings helped me to remember my own home where I have three little youngsters, where investigating the world stretches out their beginning speculations concerning how the world functions. At first, I thought that it was hard to sit and concentrate on Anna exclusively, as I was accustomed to talking and looking at youngsters, and not having the option to connect with or talk was troublesome. For the principal meeting, I watched Anna eagerly and I needed to free my head from any Judgments of her which were simply founded on bits of data I had gotten from staff.I had based suspicions of A nna's experience and life, which were absolutely theoretical and not well educated. It was this reflection that helped me center among actuality and believing and testing myself on how the data I had been given about Anna had given significant load in owe I figured she may play and associate with other youngsters. I expected to isolate these two opposing parts (Goldstein, 1990). I watched Anna cautiously skim starting with one action then onto the next, first playing with the sand letting it rapidly filter through her fingers and making shapes and stamps with the palms of her hands. She gradually meandered off when a little youngster, anxious to play all the more courageously bumped her out of the way.Watching Anna play, I thought of her objectives and what she was attempting to make through her idea and activities, and I thought of Piglet's (1973) hypothesis on kids' intellectual turn of events. Once more, I needed to challenge my suspicions on phases of Piglet's hypothesis as they are not fixed and concrete in any kid. On a few events, youngsters came up to me bringing toys, books and demands to go to the latrine, and at a certain point, a small kid remained before me for what appeared to be quite a while. I answered possibly quickly to the kids and maintained a strategic distance from eye to eye connection whenever the situation allows. My craving to get engaged with the kids was solid, and it was hard to decline a basic solicitation from a little child.However, staying in a uninvolved job permitted me to remain back and delayed down and look at in detail the claims with the kid. (Extension et al, 1996, p. 1 13). The strategy for sitting watching Anna was now and again strange to me and having no prescriptive center other than watch caused me to feel helpless. It felt like the nerves that Seal (2003) distinguished in his work as ‘professionals surrendering control and being available what exactly is developing'. (Seal, 2003, p. 16). How I dealt with m y emotions around watching Anna likewise helped me to remember the work by Isabel Minimizes Lath (1989) who expounded on uneasiness and how its experience, articulation and sublimations are a central point in deciding individual ND institutional behavior.I frequently allude to crafted by Isabel Minimizes Lath when I am confronted with vulnerabilities, and it is my affirmation and regulation of these sentiments that will affect on the general work that I do with youngsters and their families. In the stay with Anna, I needed to contain my emotions around the perception. Anna proceeded all through my perception to float starting with one action then onto the next. At a certain point, I watched her fasten the hand of a laborer and pull her delicately towards the book corner. The specialist delicately tapped the hand of Anna, telling her she knew about the solicitation. At that point, I thought of how one of a kind and complex kids are as they don't have the language to clarify how they think and investigate the world that encompasses them. By easing back down and watching them, we have the bit of leeway and an eagerness to speculate.Ending the hour perception was less risky than I suspected and I discreetly put my jacket on and bid farewell with a couple of kids holding look with me as I left the room. In the following meeting with Anna, I felt progressively loose and in line with what I was attempting to do. It was substantially more agreeable not incorporating any sort of hypothesis. I had the additional extravagance of not having paper and pens or an appraisal to finish. It was an opportunity to watch

Branding Essay Example | Topics and Well Written Essays - 1250 words

Marking - Essay Example The TBI magazine is sold by the sellers who are destitute in UK (Big Issue, 2013d). Brand Audit A brand review is directed to analyze the current key situation of the organization, distinguish the regions which are of extra esteem and propose proposals to improve the brand picture of the organization. A brand review is directed occasionally by the administration of the organization to survey the market position of the organization and that of its rivals. The investigation will lead a brand review of the TBI magazine to comprehend its present market position and propose approaches to fortify its image picture further. Brand Score Card Firstly, The Brand Score Card would be directed to quantify the presentation of TBI. The four significant components of the scorecard would be useful execution, accommodation of access of the items, brand character and valuing of the item (Pfoertsch and Kotler, 2006). Practical Performance TBI is the main road diversion magazine in UK; it gives business openings, money related help and lodging offices to the vagrants of UK. Aside from being a magazine merchant, TBI additionally acts a beneficent association tolerating gifts from individual for giving offices to the vagrants. At present, the TBI magazine gives business chances to in excess of 2000 vagrants of UK. ... TBI is exclusively subject to altruistic gifts made by people, other beneficent associations, organizations, government and so on. Since, the tasks of TBI are exclusively founded on the gifts the organization doesn't have the chance to grow its exercises further. Being a social association TBI doesn't lay extraordinary accentuation on the logo, brand envoy, bundling and limited time exercises. The association is upheld broadly by different other beneficent associations, government and so on for subsidizing purposes. For instance GISDA has chosen to work together with TBI to help the vagrants particularly matured between 16 to 25 years of age (Big Issue, 2013a). Evaluating Value Component The magazine is purchased at a cost of 75 pence by the merchants and sold for ?1.50 creation a benefit of 50 percent for every issue. It is one of the most economical amusement magazines of UK (O2, 2010). The base estimation of giving cash to TBI is ?10 which is deducted through SMS office of the giv er. Quantitative &Qualitative Brand Elements Profitability TBI is a social undertaking which targets giving financial and non money related advantages to the vagrants of UK and the fundamental goal of the association isn't to return benefits. The association runs a large portion of its activity through gifts. According to the yearly report of TBI in the year 2012 the association got willful gifts and legal awards of ?1273475 (Big Issue, 2013b). The association brought about a consumption of ?112008; the got gift was spent giving money related, lodging, lawful and medical advantages to the vagrants (Big Issue, 2013b). A specific extent of the cash is spent on the up degree of the

Nature in the Concrete Jungle COLUMBIA UNIVERSITY - SIPA Admissions Blog

Nature in the Concrete Jungle COLUMBIA UNIVERSITY - SIPA Admissions Blog After a torrential thunderstorm I was treated to a rather spectacular sight the other day in midtown Manhattan.   Check it out The sun shining through the trees is actually a reflection of the sun off of a building.   The picture was taken facing the east but with so many glass buildings in the city reflections put on quite a light show at times.   The concrete jungle has its share of natural surprises if you keep your eyes open.   I captured this fabulous picture on my bike ride into work one day last fall. I was following my normal route along the bike path on the west side of Manhattan and I noticed a rather large, moving object out of the corner of my eye.   I glanced over and saw a huge bird swooping into a tree.   The bird landed on a branch stump only about 10 feet off of the ground and I slammed on my brakes and looped back.   If you look closely, you will see that a decent sized rat is firmly in the claw of the bird. There is a decent Red-tailed hawk population in NYC and just the other day I spotted another one on the campus quad.   Nature is present even in a city dominated by man.

Essay Topics and the Structure - The First Two Steps to Essay Writing

<h1>Essay Topics and the Structure - The First Two Steps to Essay Writing</h1><p>The initial two focuses to be tended to are the theme and the structure of the paper. These are quite clear and are thus identified with each other.</p><p></p><p>First, the subject: The theme is the most significant piece of an article. Since it gives the exposition its importance, it ought to be all around picked. This may sound basic, yet it's most certainly not. Indeed, there are no genuine easy routes, with no guarantees so regularly the case. For this situation, the theme must be picked dependent on what is to be discussed.</p><p></p><p>Next, the structure: The structure is the foundation of any paper. The structure is more explicit to the theme than the subject itself. It likewise ought to be centered around the point itself. This means the article will resemble a discussion with the point itself. It might sound peculiar, yet this wi ll work best for themes with one point. Here is a model: 'Throughout the previous five years, I have lived with my mom in South Carolina.'</p><p></p><p>There are no alternate ways with regards to picking the article subject and the structure for an exposition point. On the off chance that the initial two stages are ignored, the paper will lose the force it needs to succeed. A superior methodology is to take them together.</p><p></p><p>Some expositions will require more structure in the principal section than the point structure will be the focal thought of the entire paper. For example, a paper composed by a renowned specialist. While another article may as of now have a primary thought, yet at the same time need some structure.</p><p></p><p>An thought that needs a solid structure and substance or it will seem to be a finished wreckage. The structure and the substance must be introduced so that it tends to be pe rused completely. The structure ought to be founded on the thought itself. For instance, this may be: 'The thought is to diminish the time it takes for a specialist to treat a patient.</p><p></p><p>When choosing article themes and the structure, remember the crowd. The crowd is the individual or individuals who will peruse your article. Thusly, you should ensure they comprehend what is being introduced in the essay.</p>

How Can College Students Buy An Essay Online?

<h1>How Can College Students Buy An Essay Online?</h1><p>Are you searching for a decent guide on the best way to compose an exposition for school? You have gone to the opportune spot! This article will give you accommodating tips that can assist you with composing a triumphant paper for school. Follow these tips and you will without a doubt have the option to compose an exposition that will get you a high evaluation in college.</p><p></p><p>Before you start composing a decent paper, you ought to make a topic or arrangement for your article. You can pick any theme that you think will be fascinating to find out about. It doesn't need to be a theory proclamation. You can even offer a subject expression, which will have some importance to the subject of your exposition. And afterward you should make an end toward the finish of your essay.</p><p></p><p>After you have wrapped up your entire article, ensure you change it two or multiple times. Numerous individuals think that its simpler to edit their articles after they have been composed, yet this isn't vital. When you are happy with the substance of your article, you can set aside the additional effort to make adjustments and changes on the off chance that you notice anything amiss with your essay.</p><p></p><p>Writing a school paper can be exceptionally troublesome. On the off chance that you don't set aside the effort to set yourself up, you might be tiring yourself out with all the perusing you should do. This implies you have to have a solid control, and on the off chance that you can't discover an opportunity to take a shot at it, at that point you can generally utilize an extraordinary asset: the Internet.</p><p></p><p>There are numerous spots where you can get online exposition composing help. You can go to various web based composing destinations or you can just pursue an online assistance that w ill assist you with your task. Ensure you discover one that will assist you with the entirety of your assignments. In the event that you need to discover a school composing administration, there are a few organizations that permit you to apply with the expectation of complimentary composing help.</p><p></p><p>Many understudies are currently taking school composing classes and composing guides as a feature of their coursework. This is an extraordinary thought since you can procure a testament or degree around there. You should attempt to discover a school composing guide that will help you in various zones. Likewise, you should search for a guide that has tips on the most proficient method to compose a proposal statement.</p><p></p><p>Don't neglect to rehearse with your composing abilities while you are still in secondary school. For whatever length of time that you can compose a lucid and efficient exposition, you will have the option to pro your school paper. Your exposition will turn into a reason for your future achievements, and a noteworthy encounter for all the privilege reasons.</p><p></p><p>Find out how to compose an article for undergrads, so you can see extraordinary outcomes in a brief timeframe. At long last, you will be happy you set aside the effort to complete your school composing. Keep in mind, this is your potential for success to have out from different candidates and demonstrate everybody why you have the right to be a piece of the class of 2020.</p>

How to Write a Comparison and Contrast Essay Topic That Will Determine the Applicants Choice of College

<h1>How to Write a Comparison and Contrast Essay Topic That Will Determine the Applicant's Choice of College</h1><p>The significant assignment to would when you like to compose an examination and difference paper subject for your school confirmations test is to concocted a convincing contention for why your school application has the most grounded contention to beat the entirety of different papers put together by different candidates. This can be a scary possibility for understudies since they frequently don't understand how significant the composing is until they've gotten their confirmations offers and needed to start the exploration procedure. Try not to stress however; this can be an extremely straightforward procedure that will yield amazing outcomes in the end.</p><p></p><p>The first thing to recollect when composing a correlation and complexity article subject is that you ought to consistently express your qualities in the paper first . At the point when you start off by mentioning to understudies what they need to pick up from the exposition you'll promptly start fabricating a casing of reference for them with the goal that when they get to your shortcomings they'll realize where to discover progressively about your qualities. Utilizing these two snippets of data will give understudies a smart thought of the sort of school affirmations paper they will compose and this will assist them with deciding on what kind of exposition to compose and afterward what kind of article to submit.</p><p></p><p>The next thing to recollect when composing a correlation and differentiation paper subjects is to concentrate on what makes you not quite the same as different candidates. Understudies should discover why you are a superior up-and-comer than the remainder of the candidates who are attempting to get into your school, and this is an ideal opportunity to begin putting your insight, aptitudes, and encou nters to work. At the point when you clarify how you were an extraordinary understudy, contended well in sports, took a stab at school, etc, you will find this turns into your main impetus and will persuade different candidates to accept that you're the opportune individual for their school.</p><p></p><p>One of the most critical strides in thinking of an examination and complexity exposition themes is to thought of subjects that are grounded in realities. Ensure that your exposition tends to what makes you exceptional and why you're really great contender for the school. Each school will have its own setof affirmations necessities and every confirmations official will be searching for explicit kinds of expositions, so ensure that your paper will coordinate these prerequisites and won't be too one of a kind or off the wall.</p><p></p><p>One last advance that each understudy needs to take when composing a correlation and differentiation article points is to compose from the heart. This implies you have to clarify what you like about the school, what you love about the school, and what you believe is deficient in the school that can be enhanced. After you clarify these things in your article, you have to sum up these focuses in a solitary section and ensure that you get the peruser to concentrate on one specific thing and that is what's going on with the school.</p><p></p><p>The primary concern to recollect when composing a correlation and difference exposition points is that you should not let feelings hinder your great language structure and direct sentences. On the off chance that you need to make another section just to clarify your contemplations, at that point the odds are that it won't stand apart so much and that your exposition won't intrigue your school affirmations officers.</p><p></p><p>As an outcome, ensure that you invest however much energy taking a shot at your own paper as could reasonably be expected. Keep yourself spurred by looking into the qualities and shortcomings of the candidates and offer a solitary motivation behind why you're really amazing contender for the school. Additionally ensure that your composing doesn't put accentuation on your shortcomings on the grounds that by doing so you will find that your article will appear to be less expert and you won't stand apart as much.</p>

5 Great TED Talks to Inspire Your Writing

5 Great TED Talks to Inspire Your Writing If you have never heard a TED Talk, or been part of the audience of one, you are missing out on a truly powerful experience. This is especially true if you are an artist and entrepreneur for your work. TED (an acronym for Technology, Entertainment and Design) is a nonprofit organization devoted to spreading ideas in the form of short, powerful talks. The topics span everything from business and science to creativity and self-help and are led by people who are highly successful in their respective businesses or creative careers.So take a moment to listen through the best ones Ive found that are led by successful writers to inspire your own work. You wont be disappointed and it will likely be the most productive 18 minutes (or less) you spend today.Amy Tan: Where Does Creativity Hide?Amy Tan is the author of The Joy Luck Club, The Kitchen Gods Wife and The Hundred Secret Senses. Her works explore mother-daughter relationships and the Chinese American experience, and for this TED Talk, she discusses the creative process. For writers looking for answers in how to tap into the creative process, this talk is a great way to fine-tune your senses.Beginning with details about an essay she wrote at the age of 11, Tan discusses her own process of creationâ€"particularly, how out of nothing, comes something. As a background for how she was taught, she speaks of how her mothers belief in fate or curses developed after her father and brother passed six months apart. She had this notion of death all around her, and her mother believed she would be next. When you focus on death, Tan notes, you become creative in a survival sense.Tan asks her audience to entertain the question of why things happen, how things happen, and how do they influence things to happen? With these questions, Tan introduces what she calls the cosmology of my own universe as its creator and notes that creativity is a sense of ones inability to repress the dark matter, the uncertainty principle (am I a frau d? is my writing not meaningful anymore?), and the observer effect. In these, she notes that creative people have multiple levels of anxiety and ambiguityâ€"you dont know what is happening, but you know its happening.Finally, she points out that as a creator, you notice disturbing hints from the universe. Writers get these hints/clues that have been both obvious and have not been. You begin to notice it more often and you learn to apply it. She discusses the thought process of her own trip to Burma and the book that would result. There, her chance encounters turned into an absolute necessary in writing a story.Elizabeth Gilbert: Your Elusive Creative GeniusIn this TED Talk, American author Elizabeth Gilbert, author of Eat, Pray, Love, begins with a discussion of how something peculiar has happened in her career to recalibrate her relationship with her work. After Eat, Pray, Love, which became a mega sensation, she notes that everywhere she goes, people treat her like shes doomed, li ke shes never going to be able to top the success of that book. She notes that there is always a fear-based reaction: What about the humiliation of rejection? Is she heading for the scrap heap of broken dreams?She then questions what is it about creative ventures that worry people? She notes the grim death of magnificent, creative minds who have died young and often at their own hands. Many seem really undone in their creativity and it is a common assumption that artistry will ultimately lead to anguish. According to Gilbert, this is a dangerous assumption.She then speaks of how in ancient Greece and Rome, people believed that creativity was a divine attendant. Greece called it daemons and Rome called it genius, but in both cases, it was a magical, divine entity that lived in the walls of an artists studio. When great art happened, it was due to a persons daemon or genius, something that was outside of the ability of the artist alone.Gilbert notes that this is a psychological constr uct to protect writers from narcissism or anxiety about success. With the beginning of rational humanism, people believed art came from the self. The artist was the genius instead of having a genius visit him or her. According to Gilbert, this new thought creates unmanageable expectations for performance that has been killing off artists for the past 500 years and she asks: Can we go back to an ancient understanding of the relationship between humans and creative mystery?Andrew Stanton: The Clues to a Great StoryAndrew Stanton is an American film director, screenwriter, producer and voice actor who has created award-winning screenplays with Pixar. His film work includes co-writing Pixars A Bugs Life (1998), along with Finding Nemo (2003) and its sequel Finding Dory (2016). He is also the brains behind WALL-E (2008) and Disneys John Carter (2012), as well as the co-writer on all four Toy Story films and Monsters, Inc. (2001)Beginning with an off-kilter joke (NSFW, dont say I didnt wa rn you!) about a man in the Scottish Highlands, Stanton suggests that storytelling is joke telling. The best storytelling involves the teller knowing the ending, and everything that is saidâ€"from the first to the lastâ€"affirming the human connection.He then discusses the greatest story commandment: make me care, emotionally and aesthetically. Starting from the ending of his personal story to how he learned storytelling, he discusses how he used this method in the fantasy/science fiction film that he co-wrote and directed, John Carter. He notes that, as with this movie, all good stories should begin by giving you a promise that it will lead you somewhere meaningful by the end.He then discusses WALL-E, which earned him two Academy Awards for Best Animated Feature, and how storytelling without dialogue is the most inclusive form of storytelling. The audience actually wants to work for their meal, they just dont want to know theyre actually doing that, he says. Thus, this is the job o f the storyteller and the unifying theory of his screenplay, Finding Nemo, which won him a nomination for Best Original Screenplay. He notes that as with this movie, the best characters are the ones who are trying to scratch an unknown itch.Finally, he discusses how change is fundamental in a story. If stories go static, they die. This TED Talk is so full of valuable advice, youll want to watch it twice just to catch everything from this gifted screenwriter.Misan Sagay: Why you should writeI write because Im a wrinkle, says Misan Sagay, a former emergency room doctor who made her writing debut with the 1999 film, The Secret Laughter of Women.To explain this statement, Sagay discusses the reason she writes and the reason her audience (which is us) should write too. She notes that we are joined to all of our immediate families by stories. Stories bind us. Were likewise bound to our human family by stories, and film is the major narrative artform of our times.She tells how when growing up, she never saw herself on screen. Going to the cinema was like looking at a family photograph album and she was not there, and she wondered why she was not there. She felt this as an ache. The Black films made at the time were predominantly male, violent, and contained drugs. Here she wasâ€"a Black woman who loved Jane Austen, and she was nowhere to be found on-screen.This compelled her to become a storyteller because she realized that in order to see her story in cinema, to even see someone who looks like her, she would need to create it. And her story would be full of choices that are the sum total of who she is.In this goal, she said she soon felt like a wrinkle in a smooth sheet…someone was always trying to smooth her over and convince her to accept the status quo. She mentions hearing advice such as, You cannot make a film with a black female lead. Nobody wants to hear about slavery, it makes people uncomfortable. There is no audience.However, she has always refused to ac cept that. And with that background, she asks the audience, what story do you have to tell? Your story will never be made unless you choose to put it out there. And so begins the authors journey.Sagay was eventually successful in her endeavor, with the 2013 British drama Belle, which she wrote in 2013. The film tells the story of Belle, the daughter of an enslaved African and a British admiral. It delves into the untold stories of African descendents, especially women, in British society in the late 1700s. It was Sagays Jane Austen on screen, just like she was compelled to write when younger.Now as a member of the Academy of Motion Picture Arts and Sciences, Sagay is also a member of the Wolfe pack: a group of 50 leading female screenwriters working in Hollywood seeking to draw other women into the screenwriting business.Simon Van Booy: How To Write Your Novel In Under 20 minutesDont let the title fool youâ€"this is not a discussion of how to write a novel in 20 minutes (thats impos sible). However, in this 20-minute discussion, author Simon Van Booy answers the question: Why should anyone write a novel?Some background on Van Booy: his short story collection, Love Begins in Winter, won the 2009 Frank OConnor International Short Story Award. He is also a best-selling author of nine fiction titles, along with three anthologies of philosophy. He founded Writers for Children in 2013 and through it, helps young people build confidence in their storytelling abilities.For this particular TED Talk, he begins by noting that being a commercial success is not the same as being a literary success. In fact, in many cases, the literary greats were unsuccessful during their times. But one thing they did, he notes, is that they followed their coreâ€"that inner voice that guides you as a writer and becomes stronger and clearer the more you write. Writing frees you from fear and with wisdom comes autonomy. Being a commercial success isnt anywhere in that equation.For his specifi c advice for getting a novel written, he offers these six steps:Create a unique place, time and conditions for your writing to take place. He suggests that you have a place thats exclusively yours and that no one else uses, or a place in which you do nothing else but write (so no Internet surfing!). He advises that you treat it the way priests treat sacred relics. Your work is a holy object and the location you write is where youre going to give birth to and kill your characters. It is where youre going to exorcise your demons.Since all writers need to read, dont read anything you dont love. Dont read what you think you should read, make sure that the book on your nightstand is something that inspires you and sparks your spirit. He notes that being inspired is such an exciting part of life.Sketch and sketch often, just like artists. Take a notebook with you, sketch things, put a paragraph there, go out, go into the woods, visit thrift stores, go nowhere for no reason and write thing s down that move you in your heart.Character and plot are easy if you make it real. As youre writing, be sure to include bits of real life and weave it together while getting rid of the seams. Merge the characters life with your own.Only tell 20% of what happened. Your story doesnt need to be a characters complete life, it can be only part of itâ€"but a year that changed the character in some way.Keep rewriting until you stop changing things. If a chapter can be removed without disrupting the flow of the story, it is superfluous. If it cannot, congratulations, you have a good chapterâ€"and only after multiple revisions and rewriting sessions will you find out which.